There’s a consensus that young readers will read books depicting the life of a protagonist who’s older than them. “Reading up,” so to speak. And, generally, that’s true. So, what do you do if your story is more powerful with a protagonist that’s more middle grade but the voice and style of the book will appeal more to readers of YA or older?
Well, that’s the dilemma, finding the balance between being true to the story and writing for the biggest audience, i.e. the most money. Publishing is, afterall, a business.
There are books, of course, that have faced this issue and still found huge success. Markus Zusak‘s highly acclaimed — and beautiful — novel The Book Thief is for grades 9 and up, and yet its protagonist starts the book at age 9. In Orson Scott Card‘s brilliant science-fiction classic Ender’s Game, the hero is age 6, but the book is definitely not for readers that young.
Call me naive, but I believe that a good story will find its audience. That’s not to say writers shouldn’t consider the business side and listen to agents and editors, but when they’re creating, writers should first write the best story the can. When they’re revising, they can open their mind to ways they can change the story for business.
As a story creator, I like the idea of Sir Arthur Conan Doyle, whose quote from The Lost World is in a book I’m reading right now, Dwight Swain’s Techniques of the Selling Writer. Doyle wrote:
I have wrought my simple plan
If I bring one hour of joy
To the boy who’s half a man
And the man who’s half a boy.